DIVA
DI
Saya's twin. The other queen. Where Saya was raised with a family, with love, with George and two brothers and a life that was genuinely hers, Diva was locked in a tower and treated as a specimen. She sings. Her voice is a weapon. She kills with the cheerful, uncomplicated affect of a child who was never taught that other people are real.
Diva is what Saya might have become without any of the things that made Saya who she is, and Blood+ is honest about that without using it as an excuse. The tragedy of Diva is that she was made into what she is. The horror of Diva is that what she is operates without limits or remorse. White where Saya is dark. Childlike where Saya is grounded. The show's most devastating argument is that the distance between them was never biology. It was one family and the presence or absence of it.
Diva is what Saya might have become without any of the things that made Saya who she is, and Blood+ is honest about that without using it as an excuse. The tragedy of Diva is that she was made into what she is. The horror of Diva is that what she is operates without limits or remorse. White where Saya is dark. Childlike where Saya is grounded. The show's most devastating argument is that the distance between them was never biology. It was one family and the presence or absence of it.
DIVA THROUGH THE ARCHIVE //
RED SHIELD & WAR HISTORY //
Open page →Joel's birthday · Haji's fall · Diva's escape
Saya releases Diva so her sister can sing at Joel's birthday celebration. She does not understand what years of isolation have made of Diva or what will happen when the tower opens.
That same day Haji is mortally injured and Saya saves him with her blood. By the time they return, Diva has killed Joel and the guests and the Zoo is burning.
That same day Haji is mortally injured and Saya saves him with her blood. By the time they return, Diva has killed Joel and the guests and the Zoo is burning.
What changed
One act of compassion creates two consequences Saya will carry for the rest of the story: Haji becomes her Chevalier, and Diva becomes the enemy she believes she must stop.
The Zoo Raises Saya and Diva as Opposite Experiments
Open →Early 1830s · two cocoons · one daughter and one prisoner
Joel Goldschmidt and Amshel discover two cocoons inside a Chiropteran mummy. The girls who emerge become Saya and Diva.
Saya is raised in the Zoo as Joel's daughter. Her twin is kept isolated in a tower, unnamed and treated as an experimental subject until Saya discovers her years later.
Saya is raised in the Zoo as Joel's daughter. Her twin is kept isolated in a tower, unnamed and treated as an experimental subject until Saya discovers her years later.
What changed
The sisters begin with the same blood and radically different human experience. Almost everything that follows grows out of that split.
