SHINJI IKARI
SI
Called by his father to pilot a machine he has never seen to fight a creature he cannot comprehend, and he does it. That part always gets lost in the discourse. Shinji gets in the Eva. He gets in every time, despite the fear and the pain and a father who treats him as an instrument rather than a son. He is fourteen years old and the full weight of human survival gets placed on his shoulders by a man who never once asked if that was acceptable.
The show's sharpest trick is making you frustrated with Shinji before it makes you understand him. He is passive, conflict-averse, desperate for approval from people who are not equipped to give it. He is also a textbook portrait of what an absent and cold father produces in a sensitive child. Hideaki Anno was not writing a bad protagonist. He was writing a real one. That is considerably harder and the fandom has been arguing about it for thirty years.
The show's sharpest trick is making you frustrated with Shinji before it makes you understand him. He is passive, conflict-averse, desperate for approval from people who are not equipped to give it. He is also a textbook portrait of what an absent and cold father produces in a sensitive child. Hideaki Anno was not writing a bad protagonist. He was writing a real one. That is considerably harder and the fandom has been arguing about it for thirty years.
SHINJI THROUGH THE ARCHIVE //
EVANGELIONS, SOULS & SYNCHRONIZATION //
Open page →The series eventually connects Yui Ikari's disappearance during a contact experiment to the presence within Unit-01. Shinji is therefore not synchronizing with an empty biological weapon.
Why it matters
Many of Unit-01's apparently impossible protective actions become personal once the viewer knows whose will may be acting.
